Hyunhee Kim
Draws from traditional Korean furniture to examine memory, nostalgia, and the relationship between past and present.
Chulan Kwak
The energy of the brushstroke becomes a three-dimensional language of structure, rhythm, and space.
Yehrim Lee
Rooted in Korean ceramic traditions, Lee pushes at the physical limits of clay through dynamic forms, intricate carving, and layered surfaces.
Oneseo Choi
A fascination with industrial systems and fabrication processes informs a practice that moves fluidly between furniture, object, and sculpture.
Hyobeen Bang
The circle becomes a recurring motif through which ideas of connection, continuity, and belonging take form.
Hyeonyoung Kim
An ongoing investigation into the autonomy of clay reveals unexpected forms shaped by heat, chemistry, and chance.
Eunhyeon Ahn
Inspired by the warm glow of the dusk sky, Ahn concentrates on this time of day when surroundings fade away and an object’s form often radiates into focus with the last light.
Minwoo Chae
Individual ceramic modules become the building blocks of larger structures, revealing the generative potential of repetition and variation.